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At this Mona turns her gaze secretly upon him. She studies his hair, his gray eyes, his irregular nose,—that ought to have known better,—and his handsome mouth, so resolute, yet so tender, that his fair moustache only half conceals. The world in general acknowledges Mr. Rodney to be a well-looking young man of ordinary merits, but in Mona's eyes he is something more than all this; and I believe the word "ordinary," as applied to him, would sound offensive in her ears. "Had I given in, would you have been very angry?" asks she regarding him earnestly. The reproachful ring in his voice does its intended work. The soft heart throws out resentment, and once more gives shelter to gentle thoughts alone. She even consents to Rodney's laying his cheek against hers, and faintly returns the pressure of his hand..
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There is a pause. Mona says nothing, but taking out the flower that has lain upon her bosom all night, pulls it to pieces petal by petal. And this is unlike Mona, because flowers are dear to her as sunshine is to them. It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how—— "That night at Chetwoode you made use of some words that I have never forgotten since." "Ah! sure you know I wouldn't do that, now," returns she, with a stronger touch of her native brogue than she has used for many a day; at which they all laugh heartily, even Lady Rodney chiming in as easily as though the day had never been when she had sneered contemptuously at that selfsame Irish tongue..
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